Rock and Hawk: 11. A Final Word from the Author

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11. A Final Word from the Author

The primary goal of this story was to create a narrative space where it would not only be possible but also appropriate for a woman of Men and a (male) Dwarf to become friends.  If one respects the cultural norms of canon--which closely follow those of the early medieval societies whose languages Tolkien studied--there would have been many obstacles to such a relationship.  Due to the sexual division of labor, men and women lived significantly different lives: they spent most of their time in the company of their own gender, and since they did different kinds of work, their topics of conversation didn't overlap much, either.  (What they did have in common were children and other kin, so that was shared ground.)  Protecting one's women and their honor--bluntly, their capacity to produce more of your own kind--from alien and potentially hostile males was very important; Dwarves take this to an extreme, and that cannot but color the way they interact with women of whatever race.  And then there are the very real racial differences between Dwarves and Men, based on the separate creation of Dwarves by Aulë.

Yes, it would have been simpler just to ignore all this, but my aim is Subcreation, not just "fantasy."  Airplanes don't fly because we suspend the law of gravity; airplanes fly because we figure out ways to work around it, and much of the beauty of objects like airplanes come from shaping them so they work in accord with the laws of physics.  I like having something to push against.

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Bibliography

In the creation of this story, I have had the advantage of more than a decade's dedicated research into the Iron Age and Early Medieval British Isles.  Much of the technology and many of the routine, prosaic activities in this story would have been intimately familiar to the ancestors of most of us only a few centuries back.  Since I admire the elegant simplicity--and sustainability--of parts of it, I thought I would share it with you.  It is a very different life from the one we lead today, strongly shaped by the weather, the turn of the seasons, and the rhythms of the creatures people depended on for food and labor.

For those of you with an interest in exploring the reality that underlies this fiction, I include a list of important sources I have used.  Most of these, barring the dictionaries, were written for the general public.  Dickson and Dickson (2000) and Edwards and Ralston (2003) have parts that are more specialized and technical in nature; if anyone would like references to something less challenging, please feel free to drop me a line!

Readers outside the United Kingdom (or even outside Scotland) might have problems finding some of these works, but I encourage people to take advantage of InterLibrary Loan (or your local equivalent).  The Internet has made it easier for librarians to get books to the people who want to read them, and it's cheaper than buying them.

Geology

Baird, W. J.
  1988  The Scenery of Scotland: The Structure Beneath. National Museums of Scotland, Edinburgh.

Price, Robert
  1991  Highland Landforms. Aberdeen University Press, Aberdeen.

Botany

Beith, Mary
  1995  Healing Threads: Traditional Medicines of the Highlands and Islands. Polygon, Edinburgh.

Dickson, Camilla, and James Dickson
  2000  Plants and People in Ancient Scotland. Tempus Publishing, Stroud, Gloustershire.

Fife, Hugh
  1994  Warriors and Guardians: Native Highland Trees. Argyll Publishing, Glendaruel, Argyll.

Hunting and game

Cummins, John
  1988  The Hound and the Hawk: The Art of Medieval Hunting. Phoenix Press, London.

Highland culture

Edwards, Kevin J., and Ian B. M. Ralston, eds.
  2003  Scotland After the Ice Age: Environment, Archaeology and History, 8000 BC-AD 1000. Edinburgh University Press, Edinburgh.

Martin, Angus
  1987  Kintyre Country Life. John Donald Publishers, Edinburgh.

Ross, Anne
  1976  The Folklore of the Scottish Highlands. B. T. Batsford, London.

Languages

Ardalambion
  n.d.    Sindarin: The Noble Tongue. Electronic document, http://www.uib.no/People/hnohf/sindarin.htm, accessed August 2006.

Darton, Mike
  1994  The Dictionary of Place Names in Scotland, New Edition. Eric Dobby Publishing, Orpington, Kent.

Maclennan, Malcolm
1979 [1925]     A Pronouncing and Etymological Dictionary of the Gaelic Language.  Acair and Aberdeen University Press, Stornoway, Lewis.

Robinson, Mairi, ed.
  1985  The Concise Scots Dictionary. Aberdeen University Press, Aberdeen.

Willis, Didier
  2001  Sindarin Dictionary. Hiswelókë special issue 1.


This is a work of fan fiction, written because the author has an abiding love for the works of J R R Tolkien. The characters, settings, places, and languages used in this work are the property of the Tolkien Estate, Tolkien Enterprises, and possibly New Line Cinema, except for certain original characters who belong to the author of the said work. The author will not receive any money or other remuneration for presenting the work on this archive site. The work is the intellectual property of the author, is available solely for the enjoyment of Henneth Annûn Story Archive readers, and may not be copied or redistributed by any means without the explicit written consent of the author.

Story Information

Author: Adaneth

Status: Reviewed

Completion: Complete

Era: 3rd Age - The Stewards

Genre: Drama

Rating: General

Last Updated: 02/26/11

Original Post: 09/22/06

Go to Rock and Hawk overview

Comments

WARNING! Comments may contain spoilers for a chapter or story. Read with caution.

Rock and Hawk

Gilnaur - 30 Oct 06 - 9:25 AM

Ch. 11: A Final Word from the Author

Story contines to intrigue me. Find characters interesting and real. Please continue. Looking for further chapters.

Rock and Hawk

Gilnaur - 25 Nov 06 - 10:15 AM

Ch. 11: A Final Word from the Author

You continue to show in your writing a depth of richness of the culture and the characters you present that all too often is ignored or only lightly touched upon and as a result everything rings true. I am really impressed. I don't know how far you intend to go with this but I think it has the potential for a full length novel. It holds my interest.  

Rock and Hawk

DrummerWench - 30 Dec 06 - 8:13 AM

Ch. 11: A Final Word from the Author

Hi, Adaneth

I am so happy to see this in the reviewed archive!  You've done a wonderful job with the characters, setting and story tension.  This goes on my bookshelf!

Rock and Hawk

Adaneth - 01 Jan 07 - 11:23 AM

Ch. 11: A Final Word from the Author

I am so happy to see this in the reviewed archive!

Thanks, DrummerWench--I am, too, since I seem to be picking up some more people with the sequel, "Fair Folk and Foul," and I'm not sure how well some of that comes across without the backstory! 

Anyway, anyone who isn't up to speed now has no excuse.   Smile

The yestare update was to put it back in a cleaner format (what I had done appeared to have doubled the word count--it isn't a novel, but a novella!) and correct a few of the more glaring typos (and some of dwimmerlaik's concerns).

Thanks to all the reviewers, especially those that took the time to read this over the holidays.

Cheers--


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Playlists Featuring the Story

The Dûnhebaid Cycle - 5 stories - Owner: Adaneth
Dúnedain and Dwarves--and oh, yes, some Elves--on the northwest shore of Middle-Earth, not quite a century before adventures first befall Bilbo. Rampant Subcreation and Niggling in the margins. The ever-lengthening saga, in order.
Included because: Dûnhebaid I: hammering out an unlikely friendship between a Dwarf and a Dúnadaneth.

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